James Walker
Tiger Talk Pro
Reged: Mar 18 2002
Posts: 1108
Loc: Connecticut
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I'm just curious.
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James Walker
Tiger Talk Pro
Reged: Mar 18 2002
Posts: 1108
Loc: Connecticut
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After a day or so, it's just as I figured: most of the respondents don't weigh their cymbals.
FWIW, I'm in the second category: I don't particularly care what a cymbal weighs - it's not a factor when I'm trying cymbals out, nor does it influence what I choose to take on a particular gig. However, there are a few online forums where guys do like to have that information available - it can be a helpful reference when comparing two cymbals that are the same model. Plus, lots of guys look for that information when buying cymbals online.
With those two situations in mind, I went ahead and weighed my cymbals. However, I borrowed a scale - I didn't go out and buy a scale that weighs in grams. I'm curious, but I'm not that curious.
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Edited by James Walker (Mon Jul 21 2008 11:18 AM)
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Alistair
Tiger Talk Pro
Reged: May 17 2006
Posts: 408
Loc: New Zealand
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I only ticked the 'don't weigh my cymbals' box because I have no intention of selling any of my cymbals - therefore I don't need to know their weight! The only cymbal I know the weight of is my 'sidewinder' - because the maker asked me what weight I would like.
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Flam Master Flash
Tiger Talk Pro
Reged: Nov 17 2005
Posts: 325
Loc: France
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Weight played a big factor when I was picking out my 22" ride. I wanted a dark cymbal with wash, but also one that was thick/heavy enough so that the stick could sit above everything and cut through amplified instruments as well. I chose a 2800 gram Agop Sig that does the job beautifully. Others I tried that were under 2000 grams wouldn't have done it for me, so I was happy to have the weight as a reference. Same goes for hats as well, big hats can get buried in the mix if they are light weights. Knowing a ride's weight can also help me understand it's crashability as well. Anyway, I guess I'm one of those weight weenies.
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James Walker
Tiger Talk Pro
Reged: Mar 18 2002
Posts: 1108
Loc: Connecticut
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Flash, did you pick out that cymbal in person, or online?
If buying online, I do find the weight to be a very helpful bit of information - it helps to give the sorts of indications you mentioned, things that one would normally discover simply by playing the cymbal. If that in person experience is not possible, then knowing the weight definitely is beneficial - helpful in this age of eBay, craigslist, and various online retailers.
IMIO, the more information one can get, the better. Telling me that a 20" cymbal weighs 2100g tells me much more than saying, "it's a 'medium' ride." Medium? What's "medium?" "Medium," compared to what?
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Edited by James Walker (Sat Jun 28 2008 05:33 PM)
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roger strange
Tiger Talk Pro
Reged: Dec 09 2003
Posts: 1119
Loc: Nova Scotia Canada
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The weight of a cymbal is very important when balancing off a cymbal set. I have 20" and 18" in rides. They are pretty close in weight but the 18" is just light enough to act as a crash ride as well and sounds great when using one of those Pro-Mark rattler chains on it. Anything lighter and it would not cut it as a light ride and it would be too volatile with either rivets or the chain. Both are Paiste but of different series which gives them different sonic characteristics but have related sounds and match well for what I use them for. I am from the thinking that anything above a 14" crash designation should be able to be used not only as a crash but also some form of ride. To do that you definitley have to know what weight of cymbal you have on the tilter.
Besides which, I learned a long time ago to really know my instrument thoroughly before taking it into a musical situation. Certain cymbals do not do well backing vocalists because their penetration and pitching can throw the singer's ear off and cause them to sing either flat or sharp. It's the same with drum heads. Certain heads can act adversly on a vocalist in any genre.
Edited by roger strange (Sat Jun 28 2008 05:35 PM)
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James Walker
Tiger Talk Pro
Reged: Mar 18 2002
Posts: 1108
Loc: Connecticut
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I guess I should make a distinction between having a sense of the weight of a cymbal, versus knowing the exact weight in grams. The cymbals I choose for a certain application, have certain characteristics, in part, because of their weight. However, I know what the cymbal sounds like - I'm not selecting cymbal A over cymbal B because "it's 250g heavier" - I know what it sounds like, I know how it feels to play it, and I can do that without knowing the exact weight.
I've got a 20" Paiste Twenty ride, and a friend of mine has one as well. He played mine and said, "yours is lower in pitch than mine." That's a pretty good indication that my cymbal is lighter than his. Weighing it confirmed it - his is about 100g heavier than mine. Does the difference in weight between the two result in a difference in sound? Absolutely. Did I need to weigh the cymbals to be aware of the difference in sound? Absolutely not.
If I were to buy another 20" Twenty ride, without playing it first, would knowing the weight help to determine if it will sound different from the one I already have? Almost certainly.
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Flam Master Flash
Tiger Talk Pro
Reged: Nov 17 2005
Posts: 325
Loc: France
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Yes James, 3/4 of my newly aquired cymbals were purchased online before I could try them in person. Unfortunately there is no local dealer here. I've even had to send back a piece that sounded good online, but didn't do for me in person.
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awfulldrummer
Tiger Talk Pro
Reged: Jun 26 2007
Posts: 583
Loc: manchester, nh, usa
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i never gave weight much thought, but after reading this thread i understand how it can be helpful with buying cymbals online!
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roger strange
Tiger Talk Pro
Reged: Dec 09 2003
Posts: 1119
Loc: Nova Scotia Canada
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Aaah yes, buying cymbals on line. I'm not going to be popular here with the buy/sell cats in this forum. Nor have I ever been popular with major cymbal company reps. That will never change because of the ensuing explanation of my view of cymbals and how I pick them:
I don't and never will, buy that way. If I can't lay my stick on the cymbal it doesn't make it to my kit. Pictures and sound files can be as we know, "enhanced" shall I say. I have found that the appearance and sound on line in any way, is at best, only related; but not what the cymbal really is. I'm even skeptical of these boxed retail packages that basically just get sold over the counter. They have to be on display, available for playing, and if I can't take it on trial for about four hours It stays exactly where it sits in the store. If its used and I have tracked it down through ads or through word of mouth, I'll be able to play it or have heard it many times before in performance. I also tend to ignore the maker of the cymbal in most cases and just look and listen and feel the cymbal on its own individual merits. I'm sure there are scads of on line buys that have worked out well. I'm also sure that there are just as many on line buys that sit in a corner and don't really fit the Sonic picture with the purchaser. And then of course there are another lot of those cymbals that were bought because of general reputation that don't fit the buyer's real concept, who then goes about fitting his or her playing to that cymbal that cost at least a finger or two and maybe as much as an arm or leg or even a first born, depending on their particular pocket book. Which in turn; activates a number of further purchases to fit the on line cymbal. I'd rather go to a drum shop or big retail store with a trade in policy like Long & McQuades, a cross-Canada retailer, and just dig around until I find what I am looking for. My last cymbal purchase I found in a warehouse, where a small drum shop that had closed its doors was storing its left over stock. It is an 18" Paiste Dimensions ride that had its own particular sound, and I was able to sign it out for a day and drop it into my existing set-up and play it on a gig. At that time there were three of the same model sitting up on line with sound files and pictures and none of them remotely sounded like the one I obtained after having had my hands, sticks, brushes and mallets on it in real time with my band. I trust no-one's ears or eyes other than my own when it comes to cymbals! What they look like has little to do with how they sound and play to me. Of course, if you know how to do it, you can modify any cymbal's sound and feel without any invasive applications anyway. But I suppose that is a subject for a whole different thread really.
Edited by roger strange (Sun Jun 29 2008 07:14 AM)
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