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bear45
Tiger Talk Pro


Reged: Dec 27 2003
Posts: 113
Loc: CT
Moeller vs Gladstone ?
      #32260 - Sun Dec 28 2003 05:05 AM (64.252.77.13)

Is there any difference between the Billy Glastone method and the Sanford Moeller method?

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worst episode ever
Tiger Talk Pro


Reged: Sep 15 2003
Posts: 108
Loc: england
Re: Moeller vs Gladstone ?
      #32261 - Sun Dec 28 2003 05:08 AM (82.32.241.29)

i would also like to know this [Big Grin]

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BuddysRich
Tiger Talk Trainee


Reged: Oct 09 2003
Posts: 23
Loc: Canada
Re: Moeller vs Gladstone ?
      #32262 - Mon Dec 29 2003 03:13 AM (209.226.118.88)

Yes there is a huge difference. I'm sorry I can't explain either one of those very well, however there is a section on the Gladstone technique on Tigers site. I would like to hear what the moeller(sp?) is. I have an idea and i always hear "you cant learn it from words on the internet" which is probably right. I bet you's need a teacher to get a good idea of it and be adequite (SP?) at it.

Since this is kind of like "the technique thread" il write my question here: Has anyone heard of different grips, if so please name them and if you can, please attempt to describe them or give me a link please.

thnx for reading all of that (to those who did).


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bear45
Tiger Talk Pro


Reged: Dec 27 2003
Posts: 113
Loc: CT
Re: Moeller vs Gladstone ?
      #32263 - Mon Dec 29 2003 03:39 AM (64.252.77.13)

Now I am not sure. Jim Chapin studied under Sanford Moeller in the late 30's. Joe Morello studied under (after George Stone - Stick Control) Billy Gladstone.

A few years back I touched base with a teacher for some technique lessons. I believe what he showed me was being touted by Morello (and if my memory serves me, the teacher had studied with Morello, I know he studied with Chapin, because this was on Long Island and Chapin stopped off once a week in the same shop to teach.)

Anyway seems that there is a way you grip the stip that is very loose, you can take your other hand and pull on the stick and it will slip right out. Fingers guide the stick. You control the bounce. (no pillow practice here) All downward motions like bouncing a ball, no lifting of the stick. I think you let the stick come up higher so on the next stroke you are using gravity and a longer stroke to bring it down for an accent. THink thats how it went. This is a very natural way of playing and only involves downward force. Easy, let the stick bounce off the drum.

Never understood this "REal FeeL" practice pad action because I never remember hitting a drum that feels like that. Oh well, I didnt play much and it has been years.

If you can explain a difference that would be appreciated.

I remember the old standard texts in the old days had you LIFT the stick up and of course there was practice with the pillow (no bounce) and for a while I had a Moon Gel practice pad NO BOUNCE and I loved praciticing on it. You develop monster chops that way, but today it seems to be vogue to go for these 'natural' methods.


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bear45
Tiger Talk Pro


Reged: Dec 27 2003
Posts: 113
Loc: CT
Re: Moeller vs Gladstone ?
      #32264 - Mon Dec 29 2003 03:53 AM (64.252.77.13)

By the way here's another thing that drives me nuts. In this method I described, a drummer plays with PALMS down to the surface.(I am now practicing with matched grip) Some drummers play with palms facing each other and thumbs up so it is essentially a finger action. (I have seen a video of Greg Bissonette playing this way and I think Greg is killer!)
A classic drummer with conventional grip, such as Joe Morello played back in the 60's in the "take 5" era, is usually seen with the left hand in traditional poise with the stick through the thumb palm up and the stick then going between the third and fourth finger (or actually the 2nd and 3rd finger, the thumb I guess is a thumb not a finger You know the traditional grip) The right hand is sortof palm down, but when the drummer goes to the ride cymbal its 'thumb up'.

I have talked to certain younger drummers (younger than me because the 60s was my era) one guy who was said to be really doing some nice things said that I should learn to flip the hands over so I am playing thumbs up palms towards each other, He said one can play faster.

I am still totally confused. Comments appreciated.

Havent done this in decades. How should I be practicing for the ride cymbal, palm down or palm side ways (or both?)


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BuddysRich
Tiger Talk Trainee


Reged: Oct 09 2003
Posts: 23
Loc: Canada
Re: Moeller vs Gladstone ?
      #32265 - Mon Dec 29 2003 05:45 AM (209.226.118.88)

The technique you described in the first reply was the gladstone. There are a lot of different grips, I'l explain three, one is the French, then German and then American. Now don't get mad if I'm wrong on this little part ok? The french grip is where your thumbs are up and your palms are pointing at each other, I'm pretty sure that this is the fastest way to play (at least out of these three grips, but it depends on what you practice) because your fingers are on the bottom so you can use them more effectively for faster playing. Then theres German grip, opposite of the French grip, thumbs to the side, palms down. I think that thsi is more of a wrist grip (but then again I'm not the expert). Then the American grip is in between both, there is no right or wrong grips, it's whatever is most comfortable or fastest or just whichever one you like best.

The reason that the druimmer that plays palms down with the Gladstone method (I think thats what you said), is because the Gladstone is more of a wrist technique, well at least when you are going slower or up until you can't go any faster it's a wrist technique, then I think it switches to fingers.

I didn't know that I could write that much on something I don't really know much about.


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bear45
Tiger Talk Pro


Reged: Dec 27 2003
Posts: 113
Loc: CT
Re: Moeller vs Gladstone ?
      #32266 - Mon Dec 29 2003 05:52 AM (64.252.77.13)

Thank you. I think you have given me enough to go on. I will research this. I have heard the term French grip before.

"Half way in between" for the American grip makes some sense to me. Thanks again.

Hey, maybe next time I sign in to a drum forum I will call myself BUDDY POOR!


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BuddysRich
Tiger Talk Trainee


Reged: Oct 09 2003
Posts: 23
Loc: Canada
Re: Moeller vs Gladstone ?
      #32267 - Mon Dec 29 2003 06:12 AM (209.226.118.88)

Now why would you do that? I'm not sayen it's bad I was just curious. So how was your x-mas? ( I have nothing else to do) What did u get?

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Iguana
Tiger Talk Pro


Reged: May 14 2003
Posts: 109
Loc: Wisconsin
Re: Moeller vs Gladstone ?
      #32268 - Mon Dec 29 2003 10:25 AM (24.94.247.94)

I won't try to explain how to do a proper moeller stroke . It's waaaaayyyy to complex for just words . The idea is to generate a great deal of down force with the wrist , then let the natural rebound take care of the next 3 or four strokes . While I'm no master of the moeller stroke I do understand the idea . What I don't get is , where to use it !

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bear45
Tiger Talk Pro


Reged: Dec 27 2003
Posts: 113
Loc: CT
Re: Moeller vs Gladstone ?
      #32269 - Mon Dec 29 2003 03:26 PM (64.252.77.13)

To Buddysrich: I was just kidding about Buddypoor, what I meant was that I was not blessed with the talent he has, but on the other hand we are ALL RICH, for enjoying the talents of Buddy and having him and some others around. In the meantime I, for one, will labor over technique for the rest of my life.

I played in a garage bands in the 60s and managed to play out a bit with some rock, but mostly an arm chair enthusiast. I get the urge now and then and am picking up the sticks again. I am SERIOUS about practicing and playing again, though.

A pal of mine from where I used to live who played drums and I conversed for Christmas and are motivating each other with the music thing. Chrismas was quiet but good here.

Iquana: From what you describe, the Moeller thing goes on from the Gladstone thing, both techniques control bounce. Have to dig in to that one, it sounds strange. Sounds like when I really pressed into the drum head when I got on it and forced the sticks into the head, and then it was just controlling the rebounds. The Moeller book is available and I just found an on line source for it and there is a comment about the book that there is one principle in the Moeller technique that most dont know about in that the PINKIE is the only thing that firmly grips the stick. All this is interesting. Guess there is no one techique/grip that is best for everyone. Tell you what, playing without the benefit of an experienced teacher was not good for me, I played with a LOT of tension in the grip. No discipline. When I sat there and noodled and showed somebody something I did some nice things, when I actually played I tensed up with everything including the hands. NO NO. Hindsight is 20/20. Other thing is I tend to hold the sticks back to far. Tomorrow is the first day of the rest of our lives.

I get the impression from all the stuff I have read and heard about Buddy Rich over the years that he utilized different techniques. He put us on a lot about things. He says he never practiced but that was in later years, I remember at least one prominent drummer/teacher mentioning that they got to a point where they didnt need to practice. But I heard anecdotes about Buddy back in the early times practicing eight hours a day and the bit about practicing on the pillow, NO BOUNCE. Recently I have read that Buddy mentions that he LIFTS the stick and controls the stick with his hands not let the drum control it. I think what happens in practice is a combination of the strict techniques of Gladstone,etc with the control of the bounce and total control of the hands as in NO BOUNCE.

Got to get me another one of those MOON GEL practice pads! HMMMM but in the mean time I will pick up a Real Feel this weekend.

In going back and reading the Monster Chops series that TigerBill put on the site, I think that the system has merit but needs a lot of discipline to put into motion.

Do I sound more confused than when I started?

Need to find more information about the AMERICAN GRIP. Hope someone can help here.

Hope every one had a great Christmas!


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