Quote:
1 e +
C E F
With keeping the 4th mallet on C,
5th mallet E
6th on F
I don't have much experience with six-mallet techniques, but based on my knowledge of four-mallet techniques, I'd say it's do-able but problematic. The problem I see with that is developing the strength (torque) necessary to get past a mezzo-piano. Think about four-mallet technique: using Leigh Stevens' terms, is it easier to play double laterals or single independent rolls when the two mallets in a given hand are held at the interval of a sixth, or a second?
Now, if you're talking about a true "ripple roll," which is executed simply by playing an alternating-hand roll, but changing the angle of the hands so that the mallets don't strike the instrument simultaneously, then I'd say that's more feasable for the voicing you've listed. However, I couldn't predict exactly how difficult that would be.
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