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James WalkerModerator
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Reged: Mar 18 2002
Posts: 1107
Loc: Connecticut
Re: 6 Mallet technique
      Wed Oct 10 2007 07:10 PM (4.245.182.107)

Quote:

1 e +

C E F

With keeping the 4th mallet on C,

5th mallet E

6th on F




I don't have much experience with six-mallet techniques, but based on my knowledge of four-mallet techniques, I'd say it's do-able but problematic. The problem I see with that is developing the strength (torque) necessary to get past a mezzo-piano. Think about four-mallet technique: using Leigh Stevens' terms, is it easier to play double laterals or single independent rolls when the two mallets in a given hand are held at the interval of a sixth, or a second?

Now, if you're talking about a true "ripple roll," which is executed simply by playing an alternating-hand roll, but changing the angle of the hands so that the mallets don't strike the instrument simultaneously, then I'd say that's more feasable for the voicing you've listed. However, I couldn't predict exactly how difficult that would be.

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Subject Posted by Posted on
* 6 Mallet technique JoeRPorter Sat Oct 06 2007 09:56 PM
. * * Re: 6 Mallet technique L Lawless   Sun Oct 07 2007 07:18 PM
. * * Re: 6 Mallet technique JoeRPorter   Sun Oct 07 2007 07:51 PM
. * * Re: 6 Mallet technique James WalkerModerator   Wed Oct 10 2007 07:10 PM

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