What DrumHeads Are Saying About TigerBill and TigerBill's DrumBeat Website...

Click for Another Quote


Best Products at the
Lowest Prices
Lowest prices on Tiger Tested drum products

Lowest Prices on Drum Sets, Cymbals and Percussion at Amazon.com

TigerBill's Unique
Drum Lessons
Play Better With Less Effort - Learn TigerBill's Tension Free Drumming Concepts

Advertise With Us
Contact Us
Link to Us
News & Press Room
Order Info
Permissions & Reprints
Privacy Policy
Register for Free

Books for Fun
Books for Education
Buying Drum Gear
Chops Challenge
Clinics & Events
Concerts & Tours
Discount Drum Shop 1
Discount Drum Shop 2
Drum TV Show
Drum n Bass
Drum Skills Evaluation
Fame & Fortune
Famous Drummers
Fun With Drums TV Show
Gear & Accessories
Gladstone Technique
Healthy Drumming
Hip-Hop / Rap
History & Culture
How To Guides
Laugh It Up
Lessons for Free
Loops & Samples
Member Links
MIDI Files
Moeller Technique
Record Your Own
Sit-in & Play
Tension Free Drumming™
Ticket Sales
TigerBill and Friends
TigerBill's Bio
TigerBill's Gear Picks
TigerBill's Clinics & Events
TigerBill's Drum Shop
TigerBill's Lessons
TigerBill's Place
Tips and Tricks
Vintage Gear

Four-Way Jazz Chops: Lesson 1

Many of you have been asking for tips on developing four-way coordination against the standard jazz ride cymbal pattern. Here is the approach that I've found works best with my own students.

Jazz Interpretation
Before you begin the exercises, you need to understand the basic concept of "jazz interpretation." Whenever you read a jazz drum part, any eighth-notes (see example #1A) have to be interpreted as eighth-note triplets, as shown in example #1B.

Example 1 - Jazz Interpretation

Therefore, the standard jazz ride cymbal pattern of dotted eighth-note followed by sixteenth-note (example #2A) is interpreted as shown in example #2B.

Example 2 - Jazz Ride Pattern

In other words, jazz interpretation tells you to play all patterns with a triplet feel. This gives them a nice, rolling jazz feel that falls somewhere in between straight eighth-notes and the overly mechanical sounding dotted eighth-note followed by sixteenth-note pattern.

Although I've written the exercises in this lesson in dotted eighth-note/sixteenth-note form, you should use jazz interpretation to play them as if they were written as eighth-note triplets. More often than not, this is the way you will see them written in actual drum charts so you might as well get used to interpreting them now. (You will also see them written as straight eighth-notes in actual drum charts.)

Example 3 - Jazz Ride Pattern Interpretation

Example 3A shows the basic jazz ride cymbal pattern. Although some drummers play this pattern with an accent on the beats of two and four, you'll find that it swings more with a slight accent on each of the beats of one, two, three, and four as shown in example 3B.

Before you begin working on four-way coordination, I strongly suggest that you practice playing the ride cymbal pattern alone. Try to get a good feel for it and make it swing all by itself, before you attempt to add your snare and feet to the mix. You'd be surprised at how many drummers have never learned to get a good, swinging sound from this basic jazz ride cymbal pattern.

Once you've developed a swinging right hand ride pattern, the next step is to play some patterns against it with your left hand on the snare.

Adding The Left Hand
Once you've developed a swinging right hand ride pattern, the next step is to play some patterns against it with your left hand on the snare. (Note: I included right and left hand designations for simplicity sake, feel free to reverse them if you play the ride cymbal with your left hand.) Take a look at example #4 below.

Example 4 - Left Hand Against Right Hand Ride Pattern

Start by playing the jazz ride cymbal pattern alone (example #4A) and then add the left stick snare part (example #4B). Try to get to the point where you can "hear" the two sounds separately instead of hearing them together as one sound. If you can develop this ability, you'll find it much easy to play anything that comes to mind without first having to break it down in practice. This is the best way to develop your four-way coordination.

Practice the remainder of the exercises in example #5 below. Always start each new exercise by playing a couple bars of ride cymbal "time" before attempting to play the snare part. Each time you come to a new exercise, concentrate on hearing two distinct parts.

Example 5 - Various Left Hand Patterns Against Ride Cymbal

For Further Study
This week I'd like you to work on perfecting your two-way coordination, until you can easily play any combination that comes to mind.

For more exercises, play the first two sections of Jim Chapin's book Advanced Techniques for the Modern Drummer.(See the Related Links sidebar.) You should also repeat the exercises on this page (and those in Jim's book) reversing the sticking. That is, playing the standard jazz ride cymbal pattern with your left hand and the snare pattern with your right hand (or vice versa if you already practiced it the opposite way).

If you really want to develop good jazz chops you need to become comfortable playing all of the right hand jazz ride cymbal variations, not just the basic pattern shown here and in Chapin's book.

For extra study, take each bar of pages 12 and 13 in Ted Reed's Syncopation book (See Related Links sidebar) and apply them to all of the left hand exercises both on this page and in Chapin's book. Once you can do this with ease, it'll be time for you to add your feet to the mix.

For those of you who really want to get into it, check out my book, DoubleDrum: A Double Bass Drum Text (see sidebar). Don't let the title fool you. By substituting your hi-hat for the second bass drum, you'll be able to hone your four-way coordination to perfection.

But don't get ahead of yourself. First, develop solid two-way coordination. In the conclusion of Four-Way Jazz Chops (see sidebar), we'll add three- and four-way coordination.

Until next time: Stay loose

Stay Tuned for the re-release of Tiger Bill's Classic Double Bass Drum Text: DoubleDrum - Coming Soon!

Click Here to Buy Tiger Bill's DoubleDrum: A Double Bass Drum Text


Click the following link for Four-Way Jazz Chops: Part 2!


Become a Free Member of the largest, most Comprehensive Drum Site on the Web

Learn TigerBill's Innovative Tension Free Drumming and take your chops to the next level

Get TigerBill's Free Info-Packed Newsletter, Monthly Chances to Win Valuable Drum Stuff

& Much More...

Click Here to Register as a Free Site Member

Copyright © 1998-2013 by TigerMix.com, Inc.
All Rights Reserved.

Unauthorized reproduction without permission is prohibited except as noted.

< Back to Top >

Free Site Membership!
Click Here for FREE Site Registration and become a member of the largest drum and percussion family on the Web!

* S I D E B A R *

Links Related
to this Article

Related Links on Site

Four-Way Jazz Chops: Lesson 2
Four-Way Coordination Made Easy
Secret to Four-Way Coordination
Secret to Four-Way Coordination II
Chapin's Advanced Techniques for the Modern Drummer
Reed's Syncopation for the Modern Drummer
Tiger Bill's DoubleDrum: A Double Bass Drum Text

Related Links on Web

Try Tension Free Drumming for Maximum Speed, Power, Precision, and Endurance!